X-Git-Url: http://git.osdn.jp/view?a=blobdiff_plain;f=win%2FC%23%2FfrmMain.resx;h=184e7a96c9b016e8d46d1403579359c57b5db7eb;hb=2157ff283ee677c229c017d13a84805b0ab24fd3;hp=1ae5e6636c65d3ecbe11ed60c877c140b3242649;hpb=4be06d066b78283ef5ad7f61933399cf6953cd71;p=handbrake-jp%2Fhandbrake-jp-git.git diff --git a/win/C#/frmMain.resx b/win/C#/frmMain.resx index 1ae5e663..184e7a96 100644 --- a/win/C#/frmMain.resx +++ b/win/C#/frmMain.resx @@ -117,11 +117,8 @@ System.Resources.ResXResourceWriter, System.Windows.Forms, Version=2.0.0.0, Culture=neutral, PublicKeyToken=b77a5c561934e089 - - False - - 977, 15 + 17, 54 False @@ -129,119 +126,24 @@ 556, 15 - - 664, 15 - 18, 15 - - Select the subtitle language you require from this dropdown. - - or - -Autoselect: Scan for subtitles in an extra 1st pass, and choose -the one that's only used 10 percent of the time or less. -This should locate subtitles for short foreign language segments. -Best used in conjunction with forced subtitles. - True True + + 935, 54 + Here you can name each chapter that the encoded video will contain. Make sure you have selected a "Title" from the "Source" box above otherwise the list will not be populated with the correct amount of chapters. Note: Do not change any of the chapter numbers! - - CABAC, or context adaptive binary arithmetic coding, is used by x264 to reduce the bitrate needed for a given quality by 15%. -This makes it very cool and very useful, and it should be left on whenever possible. However, it is incompatible with the iPod 5.5G, and makes the AppleTV struggle. -So turn it off for those. CABAC is a kind of entropy coding, which means that it compresses data by making shorthand symbols to represent long streams of data. -The "entropy" part means that the symbols it uses the most often are the smallest. -When you disable CABAC, another entropy coding scheme gets enabled, called CAVLC (context adaptive variable-length coding). -CAVLC is a lot less efficient, which is why it needs 15% more bitrate to achieve the same quality as CABAC. - - - x264 includes an in-loop deblocking filter. -What this means is that blocky compression artifacts are smoothed away when you play back the video. -It has two settings: strength and threshold, just like a simple filter in Photoshop. -Strength controls the amount of deblocking applied to the whole frame. -If you drop down below 0, you reduce the amount of blurring. -Go too negative, and you'll get an effect somewhat like oversharpening an image. -Go into positive values, and the image may become too soft. -Threshold controls how sensitive the filter is to whether something in a block is detail that needs to be preserved: lower numbers blur details less. -The default deblocking values are 0 and 0. This does not mean zero deblocking. -It means x264 will apply the regular deblocking strength and thresholds the codec authors have selected as working the best in most cases. -While many, many people stick with the default deblocking values of 0,0, other people disagree. -Some prefer a slightly less blurred image for live action material, and use values like -2,-1 or -2,-2. Others will raise it to 1,1 or even 3,3 for animation. -While the values for each setting extend from -6 to 6, the consensus is that going below -3 or above 3 is worthless. - - - - x264 includes an in-loop deblocking filter. -What this means is that blocky compression artifacts are smoothed away when you play back the video. -It has two settings: strength and threshold, just like a simple filter in Photoshop. -Strength controls the amount of deblocking applied to the whole frame. -If you drop down below 0, you reduce the amount of blurring. -Go too negative, and you'll get an effect somewhat like oversharpening an image. -Go into positive values, and the image may become too soft. -Threshold controls how sensitive the filter is to whether something in a block is detail that needs to be preserved: lower numbers blur details less. -The default deblocking values are 0 and 0. This does not mean zero deblocking. -It means x264 will apply the regular deblocking strength and thresholds the codec authors have selected as working the best in most cases. -While many, many people stick with the default deblocking values of 0,0, other people disagree. -Some prefer a slightly less blurred image for live action material, and use values like -2,-1 or -2,-2. Others will raise it to 1,1 or even 3,3 for animation. -While the values for each setting extend from -6 to 6, the consensus is that going below -3 or above 3 is worthless. - - - When Analysis is set to "all," checking this box lets x264 break key frames down into 8x8 blocks of pixels for analysis. -This is a high profile feature of H.264, which makes it less compatible. It should slightly decrease bitrate or improve quality. - - - Analysis controls how finely x264 divides up a frame to capture detail. -Full macroblocks are 16x16 pixels, but x264 can go down all the way to 4x4 blocks if it judges it necessary. -By default it only breaks up key frames that much. -To give x264 the freedom to make the best decisions for all frames, use "all" analysis. -If you want to create a high profile H.264 video (which is less compatible with the world at large than main profile), -also check the "8x8 DCT blocks" box to add yet another block size for analysis. - - - This setting is finer-grained than the motion estimation settings above. -Instead of dealing with whole pixels, it deals with fractional pixels. 4, HandBrake's default, means looking at quarter pixels (qpel). -Higher levels increase quality by dividing the pixel more, but take longer to encode. -Using 6 or 7 turns unlocks the ability to turn on more advanced features like B-Frame rate distortion. - - - This range is the radius, in pixels, x264 should use for motion estimation searches. -It only has an effect when you use Uneven Multi-Hexagonal or Exhaustive searching. -24, 32, and 64 are good values. - - - This sets the shape of the area x264 searches when estimating motion. -Your choices are a diamond, a hexagon, a more complex hexagonal shape, or searching the entire frame. -You are best off using Uneven Multi-Hexagonal searching. - - - B-frame pyramids are a High Profile feature. -This means that if you enable it, YOUR VIDEO WILL NOT PLAY IN QUICKTIME. -Pyramidal B-frames mean that B-frames don't just reference surrounding reference frames — - instead, it also treats a previous B-frame as a reference, improving quality/lowering bitrate at the expense of complexity. -Logically, to reference an earlier B-frame, you must tell x264 to use at least 2 B-frames. - - - With weighted B-frame prediction enabled, x264 will consider how far away the previous and next P-frames are, -before deciding to make a frame a B-frame. -The effect is that x264 will use fewer B-frames when they'd look bad — when it can't accurately predict motion. -Obviously, this only works when you tell x264 to use more than 1 B-frame. - - - Direct prediction tells x264 what method to use when guessing motion for certain parts of a B-frame. -It can either look at other parts of the current frame (spatial) or compare against the preceding frame (temporal). -You're best off setting this to automatic, so x264 decides which method is best on its own. -Don't select none assuming it will be faster; instead it will take longer and look worse. -If you're going to choose between spatial and temporal, spatial is usually better. - 232, 15 @@ -254,8 +156,11 @@ If you're going to choose between spatial and temporal, spatial is usually bette 106, 15 + + 392, 54 + - 1224, 15 + 265, 54 767, 15 @@ -661,10 +566,13 @@ If you're going to choose between spatial and temporal, spatial is usually bette - 1113, 15 + 155, 54 + + + 595, 54 - 56 + 98 @@ -1045,4 +953,13 @@ If you're going to choose between spatial and temporal, spatial is usually bette AAD6AQAA4AEAAMABAACAAQAAgAEAAMBBAADAYQAAjGEAAIRhAADc+wAA3/8AAA== + + 664, 15 + + + 680, 54 + + + 787, 54 + \ No newline at end of file